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In 1911, he exhibited his artistic works for the first time, together with Oskar Kokoschka and Egon Schiele, and also worked as a book illustrator using his characteristic woodcut technique. Grete Wiesenthal, his first wife, often posed as his model.
Whether in the Votive Church (Votivkirche) in Vienna or in the Sistine Chapel in Rome, these Köchert works are still held in honour today.
The art lies in thinking about what the wearer needs. From the very beginning, Maison Köchert has placed great importance on the versatility of jewelry.
Texts worn on the body are one of Sebastian Menschhorn’s passions. The motivations are varied and complex, and the transitions are fluid. Are they mottos like those once found on the coats of arms of Renaissance princes? Are they slogans, statements, insights? Messages to the world around us? Or rather self-affirmations – mottos to be seen and kept in mind every day so that they can be lived up to. And help keep away the distractions along life’s path.
Jagdabzeichen – hunting brooches, also known as hunting pins – are designed according to old traditions for mainly individual families with their particular hunting grounds.
Small mementos of great adventures in nature.
“In the 1960s and ‘70s, nearly every artist was creating jewellery as well. I wonder why this is no longer the norm today. It’s very exciting to work in a different métier, like jewellery, ceramics or glass.”
For Köchert – the Imperial and Royal Court jewellers to the Habsburgs – it was somewhat of a challenge to transform the delicate feather into something precious and enduring.
One man formed the link between Traunsee and Jochen Rindt, Piers Courage and Jackie Stewart: Gentleman racer Gotfrid Köchert.
For our company, the internationally known artist Xenia Hausner designed earrings entitled “left, right”.
Julia Landsiedl reinterprets the traditional concept of the parure – a set of matching jewellery consisting of a necklace, earrings and brooch – in a refreshing, contemporary way.
